2018高雄獎優選-思鄉系列
思鄉系列-重返1949 Nostalgic series-Back to 1949
我的父親,從歷史裏走來大時代中的小人物,卻帶我穿越了歷史的洪流。透過歷史影像的線索,把兩三代情串出一條血緣脈絡的兩岸情,以一張近70年前的手繪軍艦航線圖,使我在重返這個歷史的路徑上不斷穿梭在父親的回憶、親情的記憶中,這是一段值得我們凝視的故事回憶,系列作品向我父親及那些我未曾參與過的歷史致敬。
1948年秋父親由青島赴美接艦,返國時奉命駛抵台,從此40年與家鄉失聯,返鄉時沒來得及見著奶奶,仍年年回鄉掃墓,從58歲走到88歲。此組作品記錄父親思鄉的情懷及人生倏忽的感嘆,港灣是對家鄉的依戀,軍絨照是時間流逝的證據,時代的悲劇烙印在無數的小人物身上留下遺憾,而父親選擇用行動走出他綿綿不絕的思念。
Pier - 1949 Nostalgia
My father left for America to pick up a naval ship from Qingdao, China in the fall of 1948. They then received an order to change direction and headed on to Taiwan instead. He lost connection with his family for 40 years from that moment as a consequence. When he was finally allowed to return to his hometown, his mother had unfortunately already passed away. He visited his hometown to sweep his mother’s tomb every year since then, from age 58 to 88. This set of works is to record his mixed emotions of the bitter homesickness he experienced, and the sudden changes that life can throw on you. The harbor is his attachment to his hometown, and the photos are the proof of the years that slipped by. The tragedy of the time is imprinted on countless people, and left them with many regrets. My father, however, chose to take these actions to ease his lingering sorrows。
思鄉系列-缺席・縫補·縫合
此一系列作品借由訪談影片導出父親年年返鄕的原因,挪用父親返郷時取得唯一有奶奶影像的照片,將父親的影像以手術縫線縫入家族照中,以彌補父親缺席的遺憾。而雙腳的數字日期,本身是冷漠無情的,試圖將父親的情感及毅力藏匿在這些數字背面。影像作品的外延拓展不只是做為生命的見證,更像是一種對生命的想像。
思鄉系列-時空印記
此一系列是挪用父親年輕時赴美的證件,結合現在的容顏及指紋,進行穿越時空的交叉碰觸,將二度空間的影像擾動及交錯混合,在影像的幽谷中,試圖創造多次元空間的對話,無論是對歲月流逝的嗟嘆,亦或是無法掌控命運的無奈,誠如蘇珊.桑塔格所言:「這光此時碰觸了我,正如遲來的星熠」。